We are proud partners in the Global Arts Pact. Click to read more.
WE ARE PROUD PARTNERS IN THE GLOBAL ARTS PACT
Global Arts Pact is an international consortium activated to contest ongoing attacks on Arts and Humanities across the globe.
This project is led by Performance Scholars and Artists but also includes Heritage and Museum Culture, Libraries, Arts Affiliates such as Journalists, and other Arts and Humanities sites where global research, collaboration, education, and public presentation are at risk.
The world faces an unprecedented challenge to human values and freedoms. Violence and oppression are widespread. At this time we in the Arts and Humanities must make ourselves visible and powerful to push for a massive course correction to reverse actions which impact every aspect of our artistic and professional lives.
We will build consolidated global opposition to attempts to determine or censor our content, curtail research collaborations exhibitions, cancel grants or international initiatives on ideological grounds, and install policies that discourage or restrict qualified students from admissions, financial support, or fields of study.
There are many examples across the globe. The well-publicized cuts to grants at the National Endowments for the Humanities and Arts in the USA. But also less visible problems with serious consequences : The Center for the Study and Research of Greek Theater – Theater Museum consisting of a library, an archive and a museum of rare collections has been closed since 2011. As announced last year by the Ministry of Culture, the library and the archive are going to be housed at a landmark building in central Athens (in need of renovation). However, there is no organizational plan or timeline for the re-opening of these collections at the new venue and no provision in the meanwhile for their use by researchers and the general public.
To build a robust global network, we will need information and solidarity from a broad coalition. The leadership of this consortium comes jointly from the International Federation for Theatre Research and Performance Studies international. Eighteen global organizations have already expressed interest in joining us. For more information about plans for the future and to get involved, contact artspactglobal@gmail.com.
PSi#32: Meydan
CONSTELLATE 2026
Performance
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international
Welcome to the home of PSi online
Performance Studies international was founded in 1997 to promote communication and exchange among artists, thinkers, activists, and academics working in the field of performance. PSi represents and supports the broad field of performance studies through its annual conference, local clusters, working groups, FAB summer school, awards, news, archive, and GPS Journal.
We invite you to become a member today.
PSi #25Calgary, Canada2019
Conference Theme: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil2025
PSi #29: AssembleLondon, United Kingdom2024
PSi #23Hamburg, Germany2017
PSi #28 Uhambo Luyazilawula: Embodied Wandering PracticesJohannesburg, South Africa2023
PSi#32: Meydanİstanbul, Türkiye2027
Call For Papers: PSi#31 and CIS#6 Jakarta 2026: Archipelagic FlowsJakarta, Indonesia2026
PSi #22Melbourne, Australia2016
- 2016PSi#22Melbourne, Australia
- 2017PSi#23Hamburg, Germany
- 2019PSi#25Calgary, Canada
- 2022PSi 2022: HungerOnline
- 2023PSi 2023: Uhambo LuyazilawulaJohannesburg, South Africa
- 2024PSi #29: Assemble!London, UK
- 2025PSi Conference # 30: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil
- 2026PSi#31 and CIS#6: Archipelagic FlowsJakarta, Indonesia
- 2027PSi#32: Meydanİstanbul, Türkiye
PAST CONFERENCES
Latest
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GPS Issue 2.2
PSi is proud to announce the release of Global Performance Studies Issue 2.2 http://gps.psi-web.org/issue-2-2/ Future Now Introduction Orientations: Where is the Future Now? The Future Advisory…
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PLEASE NOTE EXTENDED DEADLINE 28 FEBRUARY 2019! — Call for papers for Issue 2 of "Whatever. A Transdisciplinary Journal of Queer Theories and Studies"
From Gender Trouble onwards, performativity has proved to be a crucial theoretical tool for queer theories and practices. The deontologization of categories, and their…
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Out Now: About Performance #16: Fashioning Performance/Performing Dress
The latest issue of About Performance is now available online, as digital copies or in print: https://sup-estore.sydney.edu.au/jspcart/cart/Product.jsp?nID=1140&nCategoryID=41&fbclid=IwAR03DyseaQWu5MzSDtwPAf6_6ppL3zEnMJ7eA6aC1-thSg9qXKfc5k6Ip94 About Performance 16: Fashioning Performance/Performing Dress Editors: Rosie Findlay and…
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New Performance Matters Issue Published: Performance and Bodies Politic, 4.3 (2018)
Dear Colleagues: Performance Matters has just published its latest issue at http://performancematters-thejournal.com/index.php/pm. Performance Matters 4.3 (2018), on “Performance and Bodies-Politic,” has been guest edited…
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Call for Articles
Special issue of Hradec Králové Journal of Anglophone Studies to be published in July 2019 The special issue’s theme is “Teaching Performing, Performing Teaching.”…
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CFP Performance Paradigm 15 (2019), Performing Southern Feminisms
Co-editors: Caroline Wake (University of New South Wales) and Emma Willis (University of Auckland), and section editors (TBC) From Prime Minister Jacinda Ardern at…
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Job Posting: Assistant Professor in Applied Theatre at the University of Victoria (Victoria, British Columbia, Canada)
Please distribute to colleagues who might be interested. Thanks, Allana ADVERTISEMENT FOR ASSISTANT PROFESSOR IN APPLIED THEATRE Department of Theatre, University of Victoria The Department of Theatre at…
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CFP: Artistic Research Working Group at PSi#25/Calgary
CALL FOR PROPOSALS Performance Studies international #25 / Calgary, Canada / 4 – 7 July 2019 ‘Performance, Response, Extraction: the Elasticity of Artistic Research’…
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication

BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies

THE CITY UNIVERSITY OF NEW YORK
Graduate Center

İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture

NEW YORK UNIVERSITY
Department of Performance Studies

ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London

SHANGHAI THEATRE ACADEMY

TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts

UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#e8542c” custom_margin=”||0px|||” custom_padding=”||1px|||” global_colors_info=”{}”]
BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
THE CITY UNIVERSITY OF NEW YORK
Graduate Center
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]DE LA SALLE UNIVERSITY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture
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NEW YORK UNIVERSITY
Department of Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” min_height=”96px” global_colors_info=”{}”]
ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
SHANGHAI THEATRE ACADEMY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]STANFORD UNIVERSITY
Department of Theater and Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90.2%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts
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UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
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