We are proud partners in the Global Arts Pact. Click to read more.
WE ARE PROUD PARTNERS IN THE GLOBAL ARTS PACT
Global Arts Pact is an international consortium activated to contest ongoing attacks on Arts and Humanities across the globe.
This project is led by Performance Scholars and Artists but also includes Heritage and Museum Culture, Libraries, Arts Affiliates such as Journalists, and other Arts and Humanities sites where global research, collaboration, education, and public presentation are at risk.
The world faces an unprecedented challenge to human values and freedoms. Violence and oppression are widespread. At this time we in the Arts and Humanities must make ourselves visible and powerful to push for a massive course correction to reverse actions which impact every aspect of our artistic and professional lives.
We will build consolidated global opposition to attempts to determine or censor our content, curtail research collaborations exhibitions, cancel grants or international initiatives on ideological grounds, and install policies that discourage or restrict qualified students from admissions, financial support, or fields of study.
There are many examples across the globe. The well-publicized cuts to grants at the National Endowments for the Humanities and Arts in the USA. But also less visible problems with serious consequences : The Center for the Study and Research of Greek Theater – Theater Museum consisting of a library, an archive and a museum of rare collections has been closed since 2011. As announced last year by the Ministry of Culture, the library and the archive are going to be housed at a landmark building in central Athens (in need of renovation). However, there is no organizational plan or timeline for the re-opening of these collections at the new venue and no provision in the meanwhile for their use by researchers and the general public.
To build a robust global network, we will need information and solidarity from a broad coalition. The leadership of this consortium comes jointly from the International Federation for Theatre Research and Performance Studies international. Eighteen global organizations have already expressed interest in joining us. For more information about plans for the future and to get involved, contact artspactglobal@gmail.com.
PSi#32: Meydan
CONSTELLATE 2026
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Welcome to the home of PSi online
Performance Studies international was founded in 1997 to promote communication and exchange among artists, thinkers, activists, and academics working in the field of performance. PSi represents and supports the broad field of performance studies through its annual conference, local clusters, working groups, FAB summer school, awards, news, archive, and GPS Journal.
We invite you to become a member today.
PSi #25Calgary, Canada2019
Conference Theme: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil2025
PSi #29: AssembleLondon, United Kingdom2024
PSi #23Hamburg, Germany2017
PSi #28 Uhambo Luyazilawula: Embodied Wandering PracticesJohannesburg, South Africa2023
PSi#32: Meydanİstanbul, Türkiye2027
Call For Papers: PSi#31 and CIS#6 Jakarta 2026: Archipelagic FlowsJakarta, Indonesia2026
PSi #22Melbourne, Australia2016
- 2016PSi#22Melbourne, Australia
- 2017PSi#23Hamburg, Germany
- 2019PSi#25Calgary, Canada
- 2022PSi 2022: HungerOnline
- 2023PSi 2023: Uhambo LuyazilawulaJohannesburg, South Africa
- 2024PSi #29: Assemble!London, UK
- 2025PSi Conference # 30: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil
- 2026PSi#31 and CIS#6: Archipelagic FlowsJakarta, Indonesia
- 2027PSi#32: Meydanİstanbul, Türkiye
PAST CONFERENCES
Latest
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Invitation from the PSi Performance & Science Working Group
Dear colleagues, The working group Performance & Science brings together scholars and artists with an interest in collaborations between performance (academic studies and practice)…
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Open Board Positions – Take a Leadership Role in Your Organization
PSi has two open board positions! Take a leadership role in your organization! Candidates for either of the positions below should send a…
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Dwight Conquergood Award – Applications Open
Dear PSi Members, Applications are now open for the Dwight Conquergood Award. Who can apply: The Dwight Conquergood Award will be given to an…
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Discount for theater der welt festival in Hamburg during PSi confernece
PSi#23 members get a special 10% discount with their OverFlow-conference ticket for most of the tickets of “Theater der Welt 2017?. http://www.theaterderwelt.de/en/program/ Select your…
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Call for Participation: PSi Working Group on Dramaturgy and Performance, 2017
We invite artists and scholars, planning to attend the PSi conference in Hamburg 2017, to participate in an open Working Group meeting on Dramaturgy…
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Visiting Assistant Professor in Acting – Bowdoin College (USA)
The Theater and Dance Department at Bowdoin College invites applications for a one-year, full-time, visiting assistant professor position, specializing in actor training, to begin…
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Membership access code for PSi#23 Hamburg
We are pleased to announce that you may now get a membership access code that you can use to register for the PSi#23 Hamburg…
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PSi Summer School #0.5
PSi Summer School #0.5 Call for Participants PSi #23 OverFlow Hamburg, Germany Title: PSi Summer School #0.5 Contact details: PSi Future Advisory Board (FAB); email:…
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication

BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies

THE CITY UNIVERSITY OF NEW YORK
Graduate Center

İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture

NEW YORK UNIVERSITY
Department of Performance Studies

ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London

SHANGHAI THEATRE ACADEMY

TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts

UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication
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BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
THE CITY UNIVERSITY OF NEW YORK
Graduate Center
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]DE LA SALLE UNIVERSITY
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İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture
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NEW YORK UNIVERSITY
Department of Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” min_height=”96px” global_colors_info=”{}”]
ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
SHANGHAI THEATRE ACADEMY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]STANFORD UNIVERSITY
Department of Theater and Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90.2%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts
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UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
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