We are proud partners in the Global Arts Pact. Click to read more.
WE ARE PROUD PARTNERS IN THE GLOBAL ARTS PACT
Global Arts Pact is an international consortium activated to contest ongoing attacks on Arts and Humanities across the globe.
This project is led by Performance Scholars and Artists but also includes Heritage and Museum Culture, Libraries, Arts Affiliates such as Journalists, and other Arts and Humanities sites where global research, collaboration, education, and public presentation are at risk.
The world faces an unprecedented challenge to human values and freedoms. Violence and oppression are widespread. At this time we in the Arts and Humanities must make ourselves visible and powerful to push for a massive course correction to reverse actions which impact every aspect of our artistic and professional lives.
We will build consolidated global opposition to attempts to determine or censor our content, curtail research collaborations exhibitions, cancel grants or international initiatives on ideological grounds, and install policies that discourage or restrict qualified students from admissions, financial support, or fields of study.
There are many examples across the globe. The well-publicized cuts to grants at the National Endowments for the Humanities and Arts in the USA. But also less visible problems with serious consequences : The Center for the Study and Research of Greek Theater – Theater Museum consisting of a library, an archive and a museum of rare collections has been closed since 2011. As announced last year by the Ministry of Culture, the library and the archive are going to be housed at a landmark building in central Athens (in need of renovation). However, there is no organizational plan or timeline for the re-opening of these collections at the new venue and no provision in the meanwhile for their use by researchers and the general public.
To build a robust global network, we will need information and solidarity from a broad coalition. The leadership of this consortium comes jointly from the International Federation for Theatre Research and Performance Studies international. Eighteen global organizations have already expressed interest in joining us. For more information about plans for the future and to get involved, contact artspactglobal@gmail.com.
PSi#32: Meydan
CONSTELLATE 2026
Performance
Studies
international
Welcome to the home of PSi online
Performance Studies international was founded in 1997 to promote communication and exchange among artists, thinkers, activists, and academics working in the field of performance. PSi represents and supports the broad field of performance studies through its annual conference, local clusters, working groups, FAB summer school, awards, news, archive, and GPS Journal.
We invite you to become a member today.
PSi #25Calgary, Canada2019
Conference Theme: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil2025
PSi #29: AssembleLondon, United Kingdom2024
PSi #23Hamburg, Germany2017
PSi #28 Uhambo Luyazilawula: Embodied Wandering PracticesJohannesburg, South Africa2023
PSi#32: Meydanİstanbul, Türkiye2027
Call For Papers: PSi#31 and CIS#6 Jakarta 2026: Archipelagic FlowsJakarta, Indonesia2026
PSi #22Melbourne, Australia2016
PSi #24Daegu, Korea2018
PSi#27: Hunger 2022Manila, Philippines2022
Tipping Point: A Global Precarity ReportChapel Hill, North Carolina, USA2025
Tipping Point: A Global Precarity ReportOslo, Norway2025
Tipping Point: A Global Precarity ReportSingapore2025
Tipping Point: A Global Precarity ReportSydney, Australia2025
Moving Relations in Latinx/e Performance: An Artist-Scholar TalkWashington, DC, USA2026
Marawi’s Multispecies: Between War and Climate Change – A Transnational Collaboration between Filipino artists in Canada and the PhilippinesMarawi, Philippines2026
- 2016PSi#22Melbourne, Australia
- 2017PSi#23Hamburg, Germany
- 2018PSi#24Daegu, Korea
- 2019PSi#25Calgary, Canada
- 2021PSi Constellate 2021Online
- 2022PSi 2022: HungerOnline, based in Manila, Philippines
- 2023PSi 2023: Uhambo LuyazilawulaJohannesburg, South Africa
- 2024PSi #29: Assemble!London, UK
- 2025PSi Constellate 2025Singapore; Sydney, Australia; Oslo, Norway; Chapel Hill, North Carolina, USA; online
- 2025PSi Conference # 30: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil
- 2026PSi Constellate 2026Marawi, Philippines; Washington, DC, USA; online
- 2026PSi#31 and CIS#6: Archipelagic FlowsJakarta, Indonesia
- 2027PSi#32: Meydanİstanbul, Türkiye
PAST CONFERENCES
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Theatre Journal CFP: Special issue on the Transnational Erotic
This special issue, “The Transnational Erotic,” aims to challenge and refuse Western-centric understandings of sexuality, gender, and desire in the context of theatre, dance,…
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Theatre Journal CFP: Special issue on Magic
For this special issue on “Magic,” Theatre Journal invites submissions that consider magic as concept and practice, broadly construed, with a particular interest in…
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Senior Vacancy: Dean of the UCLA School of Theater, Film and Television
The University of California, Los Angeles (UCLA) invites inquiries, nominations and applications for the position of dean of the School of Theater, Film and…
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CfP: Critical Worldbuilding
1 July 2024 Critical Worldbuilding Call for Proposals Stanford University TDR Consortium Issue “Critical Worldbuilding” edited by Matthew Smith Proposal Submission Deadline: 15 September…
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Conference Event: How PSi Thinks
Performance Studies international extends an invitation to all PSi29: Assemble! attendees and delegates to join us for a reflective conversation, discussing PSi through the…
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Conference Event: PSi Annual General Meeting
The Board of Performance Studies international invites PSi members attending our London conference, PSi29: Assemble! to join us for our Annual General Meeting! The…
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Drop-in Invitation to OPEN Dramaturgy WG on Ethics at PSi29
INVITATION: We invite artists and scholars attending the PSi29 conference in person to participate in our open Working Group meeting on Sunday June 23.…
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Routledge award – New Deadline – June 15th
Routledge Award – New Deadline PSi #29 Assemble| London 2024 The Routledge Award, sponsored by Routledge, an imprint of Taylor and Francis, embodies a…
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication

BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies

THE CITY UNIVERSITY OF NEW YORK
Graduate Center

İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture

NEW YORK UNIVERSITY
Department of Performance Studies

ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London

SHANGHAI THEATRE ACADEMY

TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts

UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication
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BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
THE CITY UNIVERSITY OF NEW YORK
Graduate Center
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]DE LA SALLE UNIVERSITY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture
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NEW YORK UNIVERSITY
Department of Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” min_height=”96px” global_colors_info=”{}”]
ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
SHANGHAI THEATRE ACADEMY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]STANFORD UNIVERSITY
Department of Theater and Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90.2%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts
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UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
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