We are proud partners in the Global Arts Pact. Click to read more.
WE ARE PROUD PARTNERS IN THE GLOBAL ARTS PACT
Global Arts Pact is an international consortium activated to contest ongoing attacks on Arts and Humanities across the globe.
This project is led by Performance Scholars and Artists but also includes Heritage and Museum Culture, Libraries, Arts Affiliates such as Journalists, and other Arts and Humanities sites where global research, collaboration, education, and public presentation are at risk.
The world faces an unprecedented challenge to human values and freedoms. Violence and oppression are widespread. At this time we in the Arts and Humanities must make ourselves visible and powerful to push for a massive course correction to reverse actions which impact every aspect of our artistic and professional lives.
We will build consolidated global opposition to attempts to determine or censor our content, curtail research collaborations exhibitions, cancel grants or international initiatives on ideological grounds, and install policies that discourage or restrict qualified students from admissions, financial support, or fields of study.
There are many examples across the globe. The well-publicized cuts to grants at the National Endowments for the Humanities and Arts in the USA. But also less visible problems with serious consequences : The Center for the Study and Research of Greek Theater – Theater Museum consisting of a library, an archive and a museum of rare collections has been closed since 2011. As announced last year by the Ministry of Culture, the library and the archive are going to be housed at a landmark building in central Athens (in need of renovation). However, there is no organizational plan or timeline for the re-opening of these collections at the new venue and no provision in the meanwhile for their use by researchers and the general public.
To build a robust global network, we will need information and solidarity from a broad coalition. The leadership of this consortium comes jointly from the International Federation for Theatre Research and Performance Studies international. Eighteen global organizations have already expressed interest in joining us. For more information about plans for the future and to get involved, contact artspactglobal@gmail.com.
PSi#32: Meydan
CONSTELLATE 2026
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international
Welcome to the home of PSi online
Performance Studies international was founded in 1997 to promote communication and exchange among artists, thinkers, activists, and academics working in the field of performance. PSi represents and supports the broad field of performance studies through its annual conference, local clusters, working groups, FAB summer school, awards, news, archive, and GPS Journal.
We invite you to become a member today.
PSi #25Calgary, Canada2019
Conference Theme: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil2025
PSi #29: AssembleLondon, United Kingdom2024
PSi #23Hamburg, Germany2017
PSi #28 Uhambo Luyazilawula: Embodied Wandering PracticesJohannesburg, South Africa2023
PSi#32: Meydanİstanbul, Türkiye2027
Call For Papers: PSi#31 and CIS#6 Jakarta 2026: Archipelagic FlowsJakarta, Indonesia2026
PSi #22Melbourne, Australia2016
- 2016PSi#22Melbourne, Australia
- 2017PSi#23Hamburg, Germany
- 2019PSi#25Calgary, Canada
- 2022PSi 2022: HungerOnline
- 2023PSi 2023: Uhambo LuyazilawulaJohannesburg, South Africa
- 2024PSi #29: Assemble!London, UK
- 2025PSi Conference # 30: XXX – Cruzo, Cruising, CrossroadsFortaleza, Brazil
- 2026PSi#31 and CIS#6: Archipelagic FlowsJakarta, Indonesia
- 2027PSi#32: Meydanİstanbul, Türkiye
PAST CONFERENCES
Latest
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Hybrid Workshop | Depth of Field: Decolonization and the Grounds of Art(istic) Research
In a sense, colonization is both manifested by and has itself manifested fields. Foundational to settler-colonialism is the transformation of so-called ‘virgin land’ into…
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Call for Papers – Documenta: Journal for Theatre
Documenta: Journal for Theater (Volume 41, Issue 2, 2023) CALL FOR PAPERS: Theater & Law Issue editor: Steff Nellis (Ghent University) In 2017, Swiss…
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Open Call for free attendance! “To Be With” Intercultural Roots Practice-as-Research Symposium
TO BE WITH – Health & WELLth Festival 2022 “To Be With” 28 – 30 October 2022, Open House Hackney, London Open Call for…
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CFP: ‘Reimagining Intimacy” hybrid event presentations
CALL FOR PROPOSALS: Pre-recorded PechaKucha Presentations “Reimagining Intimacy: Immersive and Participatory Performance in the Era of Covid-19” A Hybrid Event hosted by the School…
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Welcome to our new PSi Board Members!
The PSi Board is delighted to welcome three new members – huge congratulations to our new Vice President Serap Erincin, Membership Officer Anita Hallewas,…
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Call for Papers: A special issue of Dance Chronicle
Interrogating Histories and Historicizing Dance Studies Deadline for submissions: April 1, 2023 “Always historicize.”-Fredric Jameson, The Political Unconscious (1981) For this special issue, we…
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Call for Proposals: concurrent issues on ‘Hunger’ in GPS and PR
Call for Proposals for concurrent issues on ‘Hunger’ in the journals: Global Performance Studies (GPS) Vol. 5 No. 2 (Oct/Nov 2023) and Performance Research: Vol. 28,…
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Call for Participation: Artist Residency
“Constructing Participatory Performance: The Ecologies and architectures of audience engagement” is a research-creation project led by Dr. Lorna Heaton and Dr. Natalie Doonan of…
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication

BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies

THE CITY UNIVERSITY OF NEW YORK
Graduate Center

İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture

NEW YORK UNIVERSITY
Department of Performance Studies

ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London

SHANGHAI THEATRE ACADEMY

TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts

UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
Sponsors
Thank you to our institutional sponsors. Information on the benefits of institutional sponsorship is available here.[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]

ARIZONA STATE UNIVERSITY
Hugh Downs School of Human Communication
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#e8542c” custom_margin=”||0px|||” custom_padding=”||1px|||” global_colors_info=”{}”]
BROWN UNIVERSITY
Department of Theatre Arts and Performance Studies
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THE CITY UNIVERSITY OF NEW YORK
Graduate Center
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]DE LA SALLE UNIVERSITY
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İSTANBUL TECHNICAL UNIVERSITY
Faculty of Architecture
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NEW YORK UNIVERSITY
Department of Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” min_height=”96px” global_colors_info=”{}”]
ROYAL CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London
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SHANGHAI THEATRE ACADEMY
[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]STANFORD UNIVERSITY
Department of Theater and Performance Studies
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”row” _builder_version=”4.27.7″ background_color=”#c3d7de” background_enable_image=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90.2%” max_width=”100%” custom_margin=”|auto||auto|false|false” custom_padding=”30px||30px||false|false” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.7″ _module_preset=”default” global_colors_info=”{}”]
TEXAS A&M UNIVERSITY
College of Performance, Visualization, and Fine Arts
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UNIVERSITY OF TEXAS AT AUSTIN
Theatre and Dance, College of Fine Arts
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