Members of PSi are automatically registered on the PSi E-list, which contains edited digest announcements regarding creative and research initiatives in the international performance studies field. To share relevant information with the PSi community simply send material to this list by pressing reply. Members may also opt into an additional PSi-Extra email discussion list.

As a benefit of membership of PSi, members can receive a 20% discount on annual subscription to journals that make a valuable contribution to cultural and critical discourse on performance:

Asian Theatre Journal
Asian Theatre Journal publishes twice a year and includes articles, reports, play translations, and book reviews on Asian performance and intercultural performance with Asian influences. The journal is dedicated to sharing the best scholarship on both historical genres and contemporary practice with attention to theatre as performance and socio-cultural practice. Authors come from many disciplines from theatre historians, to Asian practitioners, ethnomusicologists to those teaching the literature or aesthetics of Japan, Korea, China, South and Southeast Asia, etc. Published twice a year by the University of Hawaii Press, the journal knits together scholars from across the globe with interests in Asian performance.

Recent issue have considered South and Southeast Asian Puppetry (18,1), contemporary mask performance in Asian (22, 2), intercultural theatre from Kathakali King Lear, to Robert Wilson's I la Galigo, to the Luo Jinlin Hebei clapper opera, or the queering of the Singapore stage. Upcoming issues will discuss gender representation in Thai theatre, political use of Tibetan dance opera by both the Tibetan diaspora and the PRC, the history of kabuki under the American Occupation from 1945-49 (23, 1), and an issue on kyogen, both as a traditional and contemporary Japanese and intercultural performance form (24, 1). Whether you seeking enlightenment on Zeami's relation to esoteric Buddhism or globalization and its theatrical implications, you will find it here. ATJ wishes to offer the 20% discount off annual subscription ($28 a year/$50 for 2 years) to PSi members who become new subscribers for 2006-7, please use the code "PSi2007" when requesting your subscriptions.

Contemporary Theatre Review
Contemporary Theatre Review analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical _expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.

The editors aim to publish essays that face the challenge of finding new critical approaches to match artistic innovations and work that transcends established categories. This involves both a focus on productions that invent their own generic forms by juxtaposing different artistic traditions and a consideration of how theatre engages with social and political realities. As such the journal examines trends in contemporary theatre, including the mainstream, and seeks to explore how theatrical vocabularies are shifting to accommodate and reflect the dynamics and/or tensions within global and local cultures.  To receive your 20% discounted subscription to CTR, please subscribe to the journal as instructed, quoting your PSi Membership Number.  For further information please visit www.tandf.co.uk/journals/titles/10486801.asp

Dance Theatre Journal
Dance Theatre Journal is the leading publication on contemporary dance and live art. Published quarterly since 1984, the magazine has consistently engaged with the critical concerns of performance practice and has driven the debates on analysis and documentation. Vibrant and vital, probing and provocative, Dance Theatre Journal includes interviews, reports and reviews by leading dance writers and performance artists. Regular features also include photo-essays, collaborative dialogues and artists' pages, pushing the boundaries of dance documentation and discourse. The focus is on current practice with a critical eye on historical contexts and contemporary theory. DTJ is essential reading for performance makers and dance artists and all those with an interest in current thinking in dance, live art and related fields. To receive your 20% discounted subscription to DTJ, please subscribe to the journal as instructed, quoting your PSi Membership Number: http://www.laban.org/dance_theatre_journal.phtml

Esse: Arts & Opinions
esse† arts + opinions, a French-language magazine, focuses on multidisciplinary and interdisciplinary practices, such as visual art, performance, video, urban music and dance, experimental theatre and all forms of social interventions, in situ or performance art. esse promotes gestures that address art in relation to its geographical, social, political or economical context. esse encourages artist’s and writer’s discussions of experimental or risk-taking work that questions dominant values. These critical texts engage in socio-political discourse as it relates to current, contemporary artistic production. esse offers a rich Quebecois, national and international content of contextualized reflections on artistic practices.   To receive your 20% discounted subscription to Esse, please subscribe to the journal as instructed, quoting your PSi Membership Number.

Submissions are accepted three times per year: January 10, April 15 and September 10. Writers are invited to propose articles of between 1000 to 2500 words. These can be sent by e-mail in Word format or RTF to revue@esse.ca. To facilitate the editorial and correction process, writers should include their postal address, telephone numbers and e-mail address, as well as a short biography. If the article is related to a specific work, the Editorial Board may ask the writer to provide images.

Trois numÈros par annÈe / Three issues per year
23 cm x 29 cm / 80 pages
FondÈe en / Founded in 1984
Editeur /Editor:  Les Èditions esse
Direction / Director†: Sylvette Babin
Abonnement / Subscription†: Jason Arsenault†: abonnement@esse.ca
Adresse :  C.P. 56 Succ. de Lorimier - MontrÈal - Qc, H2H 2N6 (Canada)
TÈl :  514-5218-597    Fax :  514-521-8598
Url :  http://www.esse.ca

La revue esse arts + opinions s’intèresse aux diverses pratiques disciplinaires et interdisciplinaires et ‡ toutes formes d’interventions ‡ caractère social, in situ ou performatif. Elle privilègie les gestes d’art motivès par une volontède s’insèrer dans le tissu social, communautaire, rural ou urbain, les pratiques relationnelles, les oeuvres engagèes, les manifestations hors les murs. La revue soutient aussi les discours d’artistes et d’auteurs qui prennent en compte les crèations expèrimentales ou risquèes, remettant en question les valeurs dominantes; ces discours empruntent des avenues critiques et sociologiques pour dèbattre des productions artistiques actuelles. Par les articles qu’elle publie, esse veut susciter des rèflexions, soulever des dèbats et des discussions, ètablir des ponts entre la pratique de l'art et son analyse. esse souhaite offrir aux lecteurs un ouvrage d'actualitè dans le domaine de l'art multidisciplinaire, un outil d'information, de communication et de recherche rèpondant ‡ leurs besoins. esse offre un contenu riche en rèflexions contextualisèes des pratiques artistiques       quèbècoises, nationales et internationales.

Les auteurs sont invitès ‡ proposer des textes de 1 000 ‡ 2 500 mots les 10 janvier, 15 avril et 10 septembre de chaque annèe. Les documents peuvent Ítre envoyès par courriel en format Word ou rtf ‡ revue@esse.ca. Pour faciliter le travail de correction et d’èdition, nous demandons aux auteurs de joindre leurs coordonnèes (adresse postale, tèlèphone et adresse èlectronique), ainsi qu’une courte biographie. Si les textes sont liès ‡ des œuvres spècifiques, la rèdaction pourrait aussi demander ‡ l’auteur de fournir des images.

Frakcija
Frakcija has published texts of different genres, ranging from scientific studies, essays and criticism to interviews with some of the most well known theatrical artists of the present day. Many of today's most acclaimed theatre and performance theoreticians have also written for Frakcija. As a magazine that continuously questions its editorial policy and consciously works on its re-conceptualisation, Frakcija is working with those authors, scholars and artists who combine new theoretical perspectives with the still "insufficiently-academic" themes of radicalism, affective work, the energies of performance, and vague/volatile/incomprehensible phenomena. More actively and more creatively Frakcija is a site for artistic and theoretical initiatives and new cultural projects. To receive your 20% discounted subscription to Frakcija, please subscribe to the journal as instructed, quoting your PSi Membership Number: http://www.cdu.hr/frakcija/

Maska
Maska is a magazine for performing arts with the longest European tradition (published since 1920). It is published in three double issues a year, with each issue dedicated to one specific topic. Apart from articles related to chosen topics each issue, rich with photographic material, contains interviews with renowned artists and theoreticians, reviews of latest Slovene and foreign performances and books. The magazine tries to unveil hidden phenomena in contemporary performing arts and the elusive neighbourhood between theatre, dance, performance and visual arts. It is also concerned with conceptual dilemmas around the slippery relationship between art and society. To receive your 20% discounted subscription to Maska, please subscribe to the journal as instructed, quoting your PSi Membership Number http://www.maska.si/eng/siRevijaMaska.php

Performance Research
Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures.

Performance Research is published in English and welcomes submissions in other languages. The Editors encourage work that challenges boundaries between disciplines and media. Each 144 pp. issue contains articles, documents, interviews, reviews as well as illustrations and original artworks.

Performance Research acknowledges support from Centre for Performance Research, University of Aberystwyth; Dartington College of Arts, Devon, UK; Institute for Digital Arts & Technology (i-DAT), University of Plymouth.
http://www.tandf.co.uk/journals/titles/13528165.asp

Performing Arts Journal
Performing Arts Journal has been praised for its independent critical thought and cutting-edge explorations for over twenty-five years. The journal integrates theater and the visual arts, charting the direction of new work in performance, video, installation, dance, photography, media, film, and music. It features artists' writings, critical commentary, interviews and dialogues, historical documents, performance texts and plays, international festival reports, and book reviews. To receive your 20% discounted subscription to PAJ, please go to: http://mitpress.mit.edu/paj/psi05

Research in Drama Education
Research in Drama Education is a refereed journal aimed at those who are interested in applying performance practices to cultural engagement, educational innovation and social change. It provides an international forum for research into drama and theatre conducted in community, educational, developmental and therapeutic contexts. The journal offers a dissemination of completed research and research in progress, and through its Viewpoints section it encourages debate between researchers both on its published articles and on other matters. Contributions are drawn from a range of people involved in drama and theatre from around the world. It aims to bring the fruits of the best researchers to an international readership and to further debates in the rich and diverse field of educational drama and applied theatre.

To receive your 20% discounted subscription to RIDE, please subscribe to the journal as instructed, quoting your PSi membership number. For further information please visit http://www.informaworld.com/RiDE

The Drama Review
The Drama Review focuses on performance and its social, economic, and political contexts. With an emphasis on the experimental, avant-garde, intercultural, and interdisciplinary, The Drama Review covers dance, theater, performance art, popular entertainment, media, sports, rituals, and performance in politics and everyday life. Long known as an important resource for keeping up with performance studies in all aspects, The Drama Review continues to be a lively forum for debate on important performances from every medium, setting, and culture. To receive your 20% discounted subscription to TDR, please go to: http://mitpress.mit.edu/tdr/psi05

Theatre Research International
Cambridge University Press is delighted to offer a subscription to Theatre Research International at a 20% discounted subscription price to individual Performance Studies international members until 31st December 2006.

Theatre Research International reflects the diversity of theatre practice throughout the world and has established itself as a leading publication in its field. Edited by Christopher Balme, Theatre Research International aims to make a major contribution to the cultural and academic discourse on performance. It is published in association with the International Federation for Theatre Research and contains scholarly illustrated articles covering a broad range of methodological and theoretical approaches to the study of theatre history and performance. Each issue features a comprehensive book review section and a performance analysis.

For more information and to browse a FREE sample copy of this journal please visit http://www.journals.cambridge.org/jid_TRI

Individual Performance Studies international members will receive a 20% discount on the normal individual rate of £30, and will be entitled to take out a subscription at discounted rate of £24. This offer is available until 31st December 2006.

To subscribe simply email journals@cambridge.org, quoting  TRI/PSi and your PSi membership number.  This offer is open to individual subscribers only. Individual subscriptions are solely for personal use and not for use by libraries or other institutions.

Total Theatre Magazine
Total Theatre Magazine is a quarterly national UK publication that celebrates and promotes innovative contemporary theatre and physical/visual performance. It is published by Total Theatre Network, which is funded by Arts Council England. The definition of 'total theatre' is fluid, but the magazine's remit includes physical and devised theatre, visual performance, live art, street arts, circus, mime, new music theatre and puppetry. The voice of the artist is a key feature of Total Theatre Magazine, which is written predominantly by and for performance practitioners. Total Theatre Magazine is available at selected specialist outlets and by subscription. Total Theatre Subscribers receive four issues of Total Theatre Magazine, access to subscriber areas of the Total Theatre Website, and reductions or free places on all Total Theatre Network Events, which include the Total Theatre Talks/Critical Practice series and the User's Guide symposia. For further information please speak to Felicity Hall +44 (0)20 7729 7944, e-mail admin@totaltheatre.org.uk or see www.totaltheatre.org.uk

Women & Performance
Women & Performance: a journal of feminist theory is a peer-reviewed, triannual publication featuring scholarly essays on performance, dance, film, new media, and the performance of everyday life from interdisciplinary feminist perspectives. We encourage dialogue between varied fields of performance scholarship (performance studies; theater, dance, and music history and criticism; ethnography; cinema and cultural studies; queer and post-colonial theory), and explore critiques of race, ethnicity, class, sexuality, technology, and nation.
http://www.tandf.co.uk/journals/titles/0740770X.asp